However, since the beginning of 2014, SARFT's supervision of video sites has grown stronger. Some online dramas that are suspected of violating regulations have even been self-audited on video sites, such as "Cocoon Men", "STB Super Teacher" and "Extreme Boyfriend". In the process, I encountered the next frame. Then, where will the review and management of future self-made dramas be made? What kind of standard is based on the review? Will it be more and more strict? As an investment or producer, what kind of online drama is the safest? How can the existing type avoid the restricted area? The well-informed person gave the following answer for Bong:
Access permit? March or April will be introduced
In the entire process of online self-produced dramas, the auditing caliber has basically been equated with the standards for the review of movie content from the very beginning, and has been changed to a content verification standard that is basically the same as that of non-yellow files or terrestrial dramas, and is generally stricter. However, regardless of the standard, management is not strict, basically to supervise the internal self-audit video website.
The reason for adopting this method is because the previous network self-produced dramas had less investment and low quality. From the perspective of influence, it was basically not a climate; second, there were a large number of self-produced plays, but the content was strange and the SARFT could not make it off for a while. Manpower to fine-tune the auditing methods, but this hanging sword will eventually fall.
In 2015, the review of video websites will be fully enhanced. It is rumored that the legendary "Network Drama Management Office" is deploying personnel from various places and is preparing for the test. If it is finally settled, it will become the most direct manager of network self-made dramas. But how does it relate to the TV drama management office under the Department of TV Drama? Is it affiliation? Or go hand in hand? There is no conclusion yet.
At the same time, the mode of audition of online self-produced plays is also in the framework: when the "supervisory system" is changed to the "access permit" system. As we all know, traditional TV dramas need to be filed when the project is set up and apply for a shooting permit. After the film is taken, the sample is sent for review and a permit is issued. For video websites, before 2015, whether it was the introduction of drama or home-made dramas, although broadcasting and television continued to issue “internal self-examination and non-compliance with non-complianceâ€, after all, each project in the process does not need to apply for a separate license. Only a large number of minefields can be tested and the ball can be played. Broadcasting and TV broadcasts only supervising functions. Random checks are conducted occasionally, and random checks can be carried out without trial.
However, the admission system for overseas dramas has been fully implemented in recent days, and the corresponding staff of presumably video websites have initially felt the strict procedures for the introduction of foreign drama recordings. For self-produced dramas, when do you need to apply for filing before changing from website self-examination to broadcasting? Do you need to approve the project like the current overseas introduction? It is reported that more specific conclusions may be issued in March to April this year.
What is the existing type of risk?
The involved drama:
In terms of traditional TV dramas, some special types of TV dramas need to be submitted to special agencies for additional validation. According to the analysis of experts, in the review of online self-produced dramas in 2015, a very large number of types were involved in the drama. All the existing dramas linked to keywords such as suspense, investigation, and reasoning may all be attributed to the involvement in the drama. Review.
To this end, some production companies have made adequate preparations, such as Tencent's "Dark Guys" video production through the Ministry of Public Security directly under the Golden Shield Film and Television obtained a film license for the involved drama, "Dark Man 2" continues to apply for this license With the extension of the license, other involved dramas can follow this approach.
Duanzi Opera:
Although the short and playful "drawing style" is far from the traditional TV series, it is difficult to imagine how to audit them. However, this does not mean that it can be completely independent of censorship.
It is reported that since the efforts to revamp the entertainment industry for the entire year of 2015 will greatly exceed that of 2014, the restrictions on the Internet language will be correspondingly strengthened, including, of course, the creation of dramas on the Internet. The first is that the subject matter of the ancient metaphor will be subject to difficult trials. Second, the lines that are suspected of having elements of the yellow storm may also be rectified. In addition, the types of dramas with unfavorable ideological tendencies will also be strictly managed, and even include excessive obscenity and YY elements. Then, for the Duanzi operas of the silk reeling group, it may be necessary to weigh and weigh in the creation of the lines.
Spooky drama:
Since 2015 will have a certain degree of rectification for the source of texts of many online dramas: Internet novels, the self-made dramas on the Internet derived from the original text will also be affected accordingly. One of the most serious types of “affected disasters†may be spirituality and terror: Take “Tomb Notes†as an example. Tombs are illegal and are strictly forbidden in the subject matter of television dramas, but they can be changed to the “Guardian of the Troops†category. Subjects to avoid the risk of robberies.
At the same time, due to the appearance of a large number of elements of terror in the original novels, elements such as graveyards and ghosts are suspected of spreading the atmosphere of terror. Therefore, during the re-creation process, the script also carefully sculpts details and carefully limits them to safety. Within the line. It is reported that "Soul Ferry 2" has also made a lot of efforts to evade the spiritual elements. Once they are on the line, they will have a benchmarking significance for how the same kind of dramas grasp the scale.
In this regard, the production companies are reminded that original novels of fiction and terror network novels, even through the novels, still face great risks. Once the original IP of Internet literature is banned and whether the script can be shot, the future is unknown. Bones can only be with the vast majority of the Internet audience, waiting for their fate.
What kind of homemade drama is the safest?
Another of the safest home-made plays is the ancient costume idol drama. Due to the promotion of the TV station's prime document “Liu Gu Lingâ€, some theatrical idol themes are looking for new outlets. For the network, the time period is not a problem, providing a vast broadcast platform for a large number of ancient operas. The video sites and mature production companies are also producing a series of high-quality dramas that are no less expensive than the prime standards of the TV stations.
For example, Youku Tudou is producing the Xuanyuanjian Han Zhiyun and remake version of Qin Qin, and again, such as the network of famous novels adapted from Jin Yi Night and Kunlun (or to rename the Legend of Emperor), these single production costs of more than 1.5 million yuan Ancient costume idols will become a revolutionary outlet for self-made dramas on the Internet. By the way, a small piece of material is expected. A certain domestic Chen Xiaohong idol drama niche has already intended to join Jin Yi Night. The other high-quality resources in the industry are also tilting towards the Internet self-made drama.
Of course, online self-produced dramas that are undergoing tremendous changes will definitely be distinguished from traditional TV dramas in the future auditing methods. However, it also requires radio and television, video sites, production companies, and audiences to run through for a period of time.
According to Gudu, it is impossible to accomplish the task of reviewing a large number of self-timed netizens on radio and television. However, in the future, whether a self-produced drama on the Internet needs to be overhauled will set up a primary threshold. At that time, it is one of the feasible methods to determine whether the review is based on the size or length of time, or whether the amount of investment or whether there is a large commercial interest or not is a primary threshold.
